What little info you will find out there
about the mid-seventies turd known as “The Thirsty Dead” will inform you that
it is in fact, going to be a turd. Also
that it seems like it ended the career of writer-director Terry Becker. And that means, I really want Lovelock and
Starkwell to find out why.
[...]
[Shot of a sunset, then the title, and then
a few minutes of a half naked girl dancing in front of a bunch of horny
sailors.]
Starkwell: A strong start.
[Dancer Girl hears a radio broadcast about
disappearing women. And then she is
abducted.]
Lovelock: Well, give it some credit, it’s
moving fast.
[...]
[Another girl is taken. This time we see the abductors, they look
like hooded monks.]
Lovelock:
Oh no! Kidnapped by Jawas!
Starkwell: For some reason I feel like
you’ve made that joke before.
Lovelock: You’re wrong.
[...]
The cloaked abductors, looking an awful lot
like a pretentious Doom/Drone metal band, put the girls on a row boat and
paddle them into… a jungle?
[...]
Starkwell: Where were they before that they
can be paddled into the rainforest somehow?
Lovelock: Manila .
Starkwell: Oh… right.
Lovelock: And why is that one bitch so
excited to become a sex slave?
Starkwell: I’m assuming it is to titillate
the male audience.
Lovelock: Why would the leader of the Filipino
Monk Kidnapping Gang be a Euro-Trash looking dude with a white man afro and big
shiny fucking medallions?
Starkwell: Keep us guessing I guess.
Lovelock: Is that a frozen head?
Starkwell: Holy shit check out his cape!
[...]
This type of dialogue went on for a while,
as they grew more confused by the slow-moving film that seemed to have a
million things going on. I couldn’t
possibly document all of their questions.
On-screen, the four girls that were kidnapped early on are bathed and
sent to some sort of luxury prison cell.
One of the girls, Laura, is apparently their… savor… or something? Anyways, she is given a luxury suite.
[...]
Lovelock: So… when are we going to see some
of these thirsty dead I read about in the title?
[Creepy decaying hand wakes Laura in her
sleep and decomposing-ish woman talks to Laura.]
Starkwell: Good?
Lovelock: Hardly. Was she undead or just in need of a shower?
Starkwell: Probably both.
[...]
Then Laura watches some kind of
interpretive dance play about the society’s history and her new part in
it. Lovelock falls asleep for a while.
[...]
Lovelock:
Why is his cape SO long, but his robe SO short? That is WAY more dude leg then we need to
see.
Starkwell: It’s shorter than the female
robes.
[...]
Then there’s this ceremony where they lay
all the women out and draw blood from them to drink. Lovelock is really growing tired of this
shit. Starkwell, apparently, already
left. Where’d he go? Nobody knows.
[...]
[Laura is thrown into a room full of old
zombie women? I think?]
Lovelock: Aw just kill her and end this
fucking movie.
[...]
After a couple more dance sequences and
people talking to a frozen head, the girls escape to a nearby village, but Cult
Leader Euro-Trash Guy that looks like he belongs in a bad Star Trek episode
catches up to them and brings them back.
[...]
Lovelock: I feel like his robe is getting
shorter.
[...]
[Then Captain Short Robe lets all of the
zombies loose.]
Lovelock: So… the zombies are actually just
really old dried up and used women?
[...]
Whether or not that even makes any sense, it
doesn’t stop Lovelock from enjoying seeing the old decomposing hags tear apart
some of the cult members. And in the
end, three out of four of the ladies get away.
Lovelock was hoping none would.
THIS MOVIE SUCKS.
You do have a way of making me want to watch films that are obviously terrible...
ReplyDeleteMost of them are good for a laugh. I've always had a soft spot for unintentional comedy.
DeleteThe geezer in the picture looks like one of the characters from that Russian fantasy film from 1970 called "Barbara The Fair With The Silken Hair", i always liked that title, its so kinda` magical.
ReplyDeleteSure.
DeleteGoing to have to try to find this one. I love movies with great titles where nothing really happens.
ReplyDelete