At last, I will present the final film in
the “Blind Dead” series… Considering that they seem to have gotten
progressively worse since the first film, Lovelock and Starkwell have lowered
their expectations considerably. This
might help De Ossorio in turning this bitch around, in their eyes.
[...]
[A man and woman in a carriage, lost on the
road, stop to check out a spooky house.]
Starkwell:
Why would you wear a veil and long sleeves if the chest area on the
dress is so low that it shows nip?
Lovelock: Easier access for the Blind Dead Templars?
[Templars show up, kill the dude, bring the
girl back to sacrifice her, but first they rip her dress open and expose her boobs.]
Starkwell: How did you know that was
coming?
Lovelock: Have you not been watching the
other three of these with me?
[Templars tear out her heart and eat her.]
Starkwell: I never understand why the flesh
eaters in these movies always start with the breasts.
Lovelock: Because Eurotrash.
Starkwell: I guess.
Lovelock: Because the breasts are the most tenderest.
[...]
So it cuts back to present day, and
essentially a doctor and his wife are moving to the town where the titty eating
went on way back in them Dark Ages. The
locals don’t seem to like Doctor and Wife very much.
Doctor and Wife don’t seem to care much for the locals either. Anyways, at this point, Lovelock and
Starkwell are just waiting for things to go all ancient evil, and the Blind
Templars to come back FOR BLOOD!
[...]
[Bells toll, Blind Dead rise.]
Lovelock: IT TOLLS FOR THEE, BITCHES!
Starkwell: Alright, settle down.
Lovelock: They’re here! They’re here!
[...]
Lovelock proceeded to dance for the next
ten or so minutes, excited that the Blind Dead have returned. They look as creepy as always. Then the Doctor and Wife see the townsfolk
gathering near the beach all dressed in black robes, chanting and bringing a
girl all dressed in white… I assume for sacrifice. I mean, they even tie her up to a rock. It's all very metal. The music too.
[...]
Starkwell: So… The good doctor sees that
and just thinks “don’t worry honey, it must be some kind of local custom…
villages are weird”?
[Templars show up on horses, murder the
girl.]
Lovelock: Hooray! Sacrifices, blind dead and DAY-FOR-NIGHT
shots! All is well in Lovelockland!
[...]
Then some girl shows up at the house,
screaming, saying that she doesn’t want to go!
People THEN show up to pick her up and, the doctor gives her a sedative
and lets her go with them. She gets tied
up at the beach.
[...]
Starkwell: “Here take this shot and feel
better and now… yup, just go with the creepy people dressed in black robes… I’m
sure they know what’s best for you.”
[Templars untie the girl.]
Lovelock: Wait… why are they untying
her? Are they letting her go?
[The Blind Dead bring her back to their
layer, immediately tear open her dress and expose her breasts.]
Lovelock: Makes sense now.
Starkwell: I’m starting to feel like maybe,
just maybe, the director is going out of his way to show some'a 'dem boobies.
[...]
Why in the Hell is this called “Night of
the Seagulls”?
[...]
[Village Idiot helps the Doctor and Wife
get to the bottom of this whole ‘beach ritual’ thing.]
Lovelock: No dude! First rule of Fight Club!
Starkwell: The first rule of “Night of the
Seagulls” is apparently to be boring as balls.
[Villagers throw Village Idiot on a pile of
rocks, leave him for dead.]
Lovelock: He done broke the rules.
Starkwell: “Night of the Seagulls” is fully
following the first rule of “Night of the Seagulls”.
[...]
It appears that right before the Blind Dead
appear to grab their offering from the beach, a flock of seagulls is always
seen.
[...]
Lovelock: This movie makes me want to
run. Run so far away.
Starkwell: I'll allow it.
[...]
Starkwell: Why do they bother clothing the
Sacrifice Girls? You’d think they would
know all about the Blind Dead’s breast obsession by now.
Lovelock: "Come with us young lady. Leave your clothes. You won't need them where you're going."
[...]
Village Idiot tells them that the seagulls
are the damned spirits of the dead sacrificed girls. The Doctor decides he wants to help tonight’s
intended sacrifice. He runs out onto the
beach, frees the girl and they run away with the Blind Dead hot on their
heels. Well… maybe not hot. More like tepid. They actually lose them super easily.
[...]
[Blind Dead EVENTUALLY show up at their
house and start bashing down the door… they start barricading the door.]
Starkwell: Why did they wait until the
Templars showed up to start barricading the door?
[...]
True to form, the Blind Dead are the
slowest killers in the history of film.
They actually seem even slower than usual in this one. Maybe it’s just the film's boring nature that is
making it seem slower.
[...]
Lovelock: The good news is, the Blind Dead
still look great, and the music still rules.
The bad news is, EVERYTHING ELSE ABOUT THIS MOVIE BLOWS.
[...]
As if the film doesn’t move slow enough, a lot
of this is shown in slow motion.
Anyways, the Doctor and Wife and Girl try to escape, they eventually
destroy some kind of monkey idol in the Blind Dead’s castle and they all start
falling down and shooting blood from their eye sockets, which is kind of an
anti-climactic and lame way to end such a wonderful group of characters. This film proved that the fourth film was
indeed the third film in the series that quite honestly should not have been
made.
Yeah, I tried watching the rest of these films, but everyone kept telling me how slow and boring they are, so I kind of put them off...I did like the first one though, the first one was quite good at times. I guess it's something all of these Blind Dead movies suffer from, a slow pace.
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